Each image in this series is built by layering 40 to 50 photographs of the same place. I don’t align them. Instead, I let the frames shift and overlap to create a sense of movement, crowding, and visual noise. The result feels closer to memory or emotion than documentation.

The work began in large cities, capturing urban energy through composite images of streets, signs, buildings, and people. Over time, it grew to include quieter spaces like Texas intersections, neon diner signs, bridges, and museum interiors. No matter the setting, I am interested in how time builds up in a place and how that buildup can be made visible.

These images are meant to feel dense, unstable, and slightly disorienting. Neon signs flicker like memory. Structures dissolve into repetition. Stillness and motion appear in the same frame. I am not chasing precision but the feeling of presence, of standing in one spot as time shifts around you.

This is not a frozen moment. It is time, layered and compressed, until something new emerges.